Do you consider ballet a sport? The best answer gets brainliest.

Dorothy Gale is a fictional character created by American author L. Frank Baum as the main protagonist in many of his Oz novels. She first appears in Baum's classic 1900 children's novel The Wonderful Wizard of Oz and reappears in most of its sequels. In addition, she is the main character in various adaptations, notably the classic 1939 film adaptation of the novel, The Wizard of Oz.

Dorothy Gale is a fictional character created by American author L. Frank Baum as the protagonist in many of his Oz novels. She first appears in Baum's classic 1900 children's novel The Wonderful Wizard of Oz and reappears in most of its sequels. In addition, she is the main character in various adaptations, notably the classic 1939 film adaptation of the novel, The Wizard of Oz. In the Oz books, Dorothy is raised by her aunt and uncle in the bleak landscape of a Kansan farm. Whether Aunt Em or Uncle Henry is Dorothy's blood relative remains unclear. Uncle Henry makes reference to Dorothy's mother in The Emerald City of Oz, possibly an indication that Henry is Dorothy's blood relative. (It is also possible that "Aunt" and "Uncle" are affectionate terms of a foster family and that Dorothy is not related to either of them, although Zeb in Dorothy and the Wizard in Oz claims to be Dorothy's second cousin, related through Aunt Em.[2] Little mention is made of what happened to Dorothy's birth parents, other than a passing reference to her mother being dead.) Along with her small black dog, Toto, Dorothy is swept away by a tornado to the Land of Oz and, much like Alice from Alice's Adventures in Wonderland, they enter an alternative world filled with talking creatures. In many of the Oz books, Dorothy is the heroine of the story. She is often seen with her best friend and the ruler of Oz, Princess Ozma. Her trademark blue and white gingham dress is admired by the Munchkins because blue is their favorite color and white is worn only by good witches and sorceresses, which indicates to them that Dorothy is a good witch.

Answer:

The substance which determines the form of a column of air is demonstrabl y indifferent for the timbre or quality of tone so long as the sides of the tubes are equally elastic and rigid.

Explanation:The Scottish timbre is rarely wanting, even in places where scholastic or classical custom might have claimed, as in other literatures, an exclusive privilege.

Timbre itself is, as Helmholtz shows, a kind of harmony felt but not heard.

Each instrument has a unique timbre because of its specific design.

The opera star's timbre was rich and filled with vibrato.

When the music executive heard the timbre of the young singer's voice, he knew the boy was a future star.

Answer:

commensalism decomposer ecology ecosystem heterotroph mutualism niche parasitism population the dog by receiving food, shelter, and care These cycles are like permanent round-trip tickets- (2) A predator-prey association describes one type of- in the cartoon below? Rat-to-rat competition is fierce because they have.

Explanation:

mutualism - a symbiotic relationship in which both parties are benefiting, ie; a bird that cleans food out of an alligators teeth
parasitism - a symbiotic relationship in which on party is benefiting and the other is being harmed, ie; a tick that leeches onto a dog
commensalism - a symbiotic relationship in which one party is helped and the other is neither helped nor harmed, ie; tree frogs that use large plants as protection
competition - the rivalry for limited resources
predator-prey - the predator is the organism that hunts and kills, the prey is the victim of predators, ie; bear and fish, fox and rabbit, ect.

the best i could do was give you handwritten definitions with examples! i hope this helped!

Answer:

This meditation on transitory art begins with Sol LeWitt. His

conceptual art is representative of a large strain of creative endeavors that emerged after 1950. To this day it engages artists, gallerists, collectors, and museum curators worldwide. "Ownership" of

his art was not always evidenced by possession of a physical object

like a painting or a sculpture, but by possession of documents-a

certificate of authenticity and a diagram in the case of LeWitt. Together these documents contained (typically partial) instructions on

how to fabricate or install his work. Possession of a certificate and

diagram gave their owner a guarantee of provenance and the authority to arrange for installation of the work with the artist or the

artist's successors in interest-nothing more.' In addition, the actual installations of such works typically were not accomplished by the artists who made the certificates and diagrams, the artists as temporary, movable, or destructible after their installation. Such projects were distinctly different from routine art sales by galleries or auction houses. Rather than obtaining a painting or

sculpture, a buyer obtained only the right to seek its creation and

installation. It was the creative plan that was the artistic product,

not an extant creative work.

Explanation:

Answer:

Explanation:

"Ownership" of his art was not always evidenced by possession of a physical object ... LeWitt to formulate a work, also pictured below, for installation on a large living ... His representations that the work was "painted over" and that. "its physical ...

I don’t understand what ur asking but I’m happy to help if needed

What is the question I cannot understand

Answer: The deep message the author wants us to understand.

Explanation:

the deep message the author wars up to understand .